A unique research project centered on memory, labor, and environmental change in Bangladesh was showcased at Brihatta Art Space from February 9 to 14. The exhibit, titled “Nodir Shuta” (Rivers’ Thread), was the brainchild of French artist Clémence Vazard and was a product of her residency at Brihatta Art Foundation’s Villa Swagatam initiative.
The project, on display daily from 3 pm to 7 pm (except on February 11 and 12), delved into Bangladesh’s riverine landscape through collaborative artistry. By drawing connections between intricate stitching techniques and the interconnected river systems of the country, the exhibit explored the intertwined histories of textiles and rivers. Against the backdrop of environmental challenges and the threat of land loss due to rising water levels, the project aimed to shed light on the shared futures influenced by water, memory, and craftsmanship.
Visitors were encouraged to participate in workshops and collaborative sessions that emphasized the shared narratives woven into textile traditions and the vital role of rivers in sustaining communities. By blending research, collaboration, and community engagement, “Nodir Shuta” (Rivers’ Thread) provided a reflective journey into how textile heritage and river ecosystems continue to influence everyday life and cultural identity in Bangladesh.
