National Film Award-winning filmmaker Shahnewaz Kakoli, renowned for her direction of “Uttorer Sur” and “Nodijon”, is currently undergoing treatment following a stroke in October last year. Kakoli is receiving care at the Centre for the Rehabilitation of the Paralysed (CRP) and has been undergoing therapy for a significant period.
Kakoli achieved the National Film Award for her work as a story writer for “Uttorer Sur”. Additionally, actress Tama Mirza was honored for her performance in “Nodijon”, a film directed by Kakoli. Both movies garnered widespread acclaim, and Kakoli has a portfolio of other significant works throughout her career.
Providing an update on Kakoli’s progress, her husband, well-known actor Pran Roy, mentioned that she is displaying gradual improvement. Roy indicated that therapist Manna Papiya is supervising her therapy sessions and noted that Kakoli has made strides in being able to sit with assistance, a feat that was previously challenging for her.
Despite these improvements, Kakoli still requires support to walk independently. Roy explained that she relies on a belt around her waist and assistance while walking due to her current limitations.
Regarding her recovery prognosis, Roy highlighted that the process will require time and effort. He praised the dedicated care and support provided by the CRP staff and emphasized the importance of faith in the recovery journey.
Roy shared that Kakoli’s speech has improved, with her ability to communicate reaching around 80% of normal. However, her left side remains largely immobile, with her left hand and leg still requiring assistance to function, indicating that recovery will be gradual.
Following her initial hospitalization post-stroke, Kakoli spent time at home before being readmitted, and is currently residing in a hospital cabin for ongoing treatment. Roy mentioned the financial strain of the treatment, including the sale of his car to help cover expenses, with support from friends, the Bangladesh Film Artistes’ Association, and well-wishers.
Expressing gratitude for the support received, Roy called for greater institutional assistance for Kakoli, emphasizing her contributions as a National Film Award laureate and the need for government support.
Meanwhile, Kakoli’s latest project, “From Bangladesh”, remains unfinished due to financial constraints, with approximately ten percent of the work pending.
Roy concluded by requesting prayers and well-wishes for Kakoli’s recovery and well-being, underscoring the importance of community support during this challenging period.
